The Music of Life

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Blake F. Dempsey on Royal Records makes us want to sit in sunlight, daydream, and never develop. Halon is self-taught with various tools, and the energy of her live performance (often backed by an all-female group) is more infectious than mononucleosis. We sat down with Halon and spoke about her transition from drummer to guitarist and being “Digital For Life” when it comes to recording.

She Shreds: How did growing up in Ottawa, your music effects?

Allie Halon: When I was growing up and began listening to music, there was not lots of action going on, and there was not a lot of bands coming through so I used to have to drive into the larger cities nearby; Montreal and Toronto. From the time I turned 18, a lot of people began everybody and bands remained motivated, there was lots of stuff, and it was important for me to get excited to start playing in bands and to get into music.

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I would say being deprived of visiting rings can be a fantastic thing. I assumed I would never get to see
Bands that play is loved by me live, and I think that makes you romanticize music at a way that is special that is fair. That’s something which I see when I am touring–playing with city folks are excited and so grateful.

What?

Was a contributory song for a girl band. This was the first time because I started off drumming I tried writing a song, and on additional, you play as a drummer you do write songs
people’s songs. I could play the guitar, so I began to write simple browse tunes on bass and guitar, but it was fun.

How did you learn how to play guitar? Did you start with guitar lesson and just get a guitar?

I asked one of my friends to show me the way to play a barre chord, which as individuals that are reading this is likely to know, is the traditional punk rock approach to play guitar and you can play just about any song with a aula de violão. So I learned songs that were simply just playing with that type of style attempted to master tunes that I liked. I started off slow.

I played root note solos and incorporated the chords when I began writing my songs–you can do a lot with the guitar.

What is it that gave you the ability to say, “I will teach myself guitar and do this?”

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My mom taught my sisters and me not to be scared, to try new things, and only to… follow your heart [laughs]. It was pleasant to have her show me that it is ok to try out things and not be scared of something not working the time out.

What is your approach when someone is not supportive?

It’s obvious they do respect me as someone who plays with music, it’s more like you are a woman, so I will approach you and speak to you I saw on stage. It’s different each time. It’s easy to laugh off, but that could be tough when it is someone they do not get it and that you respect or a friend. I try and not let it bother me, and I attempt to concentrate on individuals who take and know it seriously, which there are those out there.

What is your songwriting process?

It varies. Sometimes I’ll just be playing lead guitar, and I will think of development or riff that I enjoy and depending on the mood or feel of it, I might compose lyrics to I might write songs and then produce something which is reasonable for those words.

You do not have a band that is conventional. Can you tell us more about that process while playing and recording life?

I play with all the music and write and record, so it is my style and all me. I try to have people play with exactly what is on the record, just because that is what fans enjoy and understand. I do not really like they’re playing my song and when I see a band, and it is different.

Did you educate yourself to record?

I used a schedule, and it is so easy. You can get to modify the guitar sounds or the bass sounds since the plug-ins are free, and that is cool. Usually, to get a reverb effect you may need to purchase that $120 pedal for that 1 part in that one song, so it is fine with the electronic recording you can make things seem precisely how you need without spending any money, that is great to me. Most of my friends are against that–they are all about recording with their 4-track, but I grew up with computers, I am comfortable with them, and it is an amazing way Lots of different sounds without having to spend money, so “Digital For Life.”

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